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Grants, Awards & Honors

Grants:

Adele Filene Student Presenter Grant

College and University Collection Care Grant

CSA Travel Research Grant

Stella Blum Student Research Grant

Small Museums Collection Care Grant

Angels Project

Awards &
Honors:

Award of Excellence in Costume Design/Technology

CSA Fellow Award

Millia Davenport Publication Award

The Richard Martin Exhibition Award

Scholars' Roundtable Honor

 

 

Stella Blum Student Research Grant

Purpose
The Stella Blum Student Research Grant is intended to assist the research of a current undergraduate or graduate student who is a member of the Costume Society of America and working in the field of North American costume.

Description
This $2,000 Grant is awarded to the student to provide financial assistance with research (see below for details of allowable and non-allowable expenses); an additional travel component of up to $500 is awarded as a stipend to allow the recipient to present the completed research at a National Symposium. The Grant is named for Stella Blum, a costume curator, educator, writer, scholar and founding member and Fellow of CSA. Affiliated with The Metropolitan Museum of Art Costume Institute since 1940, she became curator in 1975. This Grant was established after her death in 1985 and was first awarded in 1987.

Eligibility
Applicants must meet the following requirements:

  • be a student matriculating, at the time of the funded research, in a degree program at an accredited institution.
  • researching a project in the field of North American costume
  • be a member of the Costume Society of America
Allowable expenses include the following:
  • transportation to and from a research site (away from home or school)
  • living expenses at research site (away from home or school)
  • supplies such as photographic reproductions, books, paper, and computer disks
  • postage and telephone
  • services such as computer searches and graphics
Non-allowable expenses include the following:
  • living expenses while at home or school
  • tuition and materials for course-work
  • overhead or indirect costs to any institution
  • salary
  • equipment such as cameras and tape recorders
  • transportation to regional or national meetings of CSA
  • expenses incurred prior to the date of the written notification of the award, including costs of preparing the application

Application Deadline
Completed applications must be postmarked by May 1.

Application Procedure
Download the application package and instructions

Applications should include the following:

  • cover sheet (on form provided - original and 6 copies)
  • brief abstract (no more that 50 words) of the proposal
  • full proposal as outlined below (original and 6 copies)
  • budget (on form provided - original and 6 copies)
  • proof of current student enrollment
  • transcripts from all relevant academic work (originals should be sent directly to the grant chair)
  • recommendations from two people familiar with the applicant's academic record, preferably faculty members, including one from the research project supervisor (on form provided, to be sent separately by advisors)
  • letters of permission from any research site, museum or library, that the applicant intends to visit for research

The proposal (double-spaced and no more than 1,000 words) should include the following:

  • introduction to research project, its background and significance
  • purposes and goals of the research; specific objectives of work to be accomplished; what questions will be answered
  • qualifications of researcher; familiarity with subject; course-work completed and related courses to be taken during the project; previous research experience; how the project will benefit the student at this point in his/her academic career and in the long run
  • methodology; structure of research design; name of research supervisor; project schedule
  • application/scholarly presentation of results, and the value of this information to the field of costume research
  • select bibliography and related resources

Send completed applications and support material to:

Ann Wass, Committee Chair
CSA Stella Blum Student Research Grant
5903 60th Avenue
Riverdale, MD 20737

Selection Criteria
Applications will be judged by:

  • significance of topic
  • contribution to the field of costume
  • feasibility
  • time frame/work plan/ time table
  • methodology
  • bibliography
  • budget
  • applicant's qualifications

Grant Schedule

Applicants will be notified of results by August 1st. Both the Grant recipient and project advisor must sign the Grant Letter of Agreement; when this is received, a check for half the funds will be sent. The recipient will begin the research by September and complete the project within one year. Upon completion of the project and after receipt of a summary of the research and an expense report, the remainder of the funds will be paid. The recipient will present research results at a National Symposium (a travel allowance of up to $500 will be paid upon completion of travel and submission of an expense report) and will submit a short report or a more comprehensive article for publication in Dress.

 

 

Stella Blum Student Research Grant Recipients

2011:
No grant awarded

2010:
Denise Nicole Green, Nuu-chah-nulth First Nations' Ceremonial Regalia: Historical and Contemporary Practices

2009:
Laura Bellew Hannon, Limiting the Glamour of the Glamour Girls: The War Production Board and Film Costume Restrictions

2008:
Katie Knowles, Fashioning Slavery: Slaves and Clothing in the United States South, 1830-1865

2007:
Margarete Ordon, Making Sense of Dress Exhibits

2006:
Elizabeth Davis, “All of Them Ladies of Taste and Refinement”: How Lace Democratized Fashion in Late Victorian Women’s Dress: 1870-1890

2005:
Hannah Carlson, Idle Hands and Empty Pockets: Postures of Leisure

2004:
Melyssa Wrisley, Theory and Practice in American Dress Reform: Charlotte Perkins Gilman, 1880-1930

2003:
Michael J. Murphy, White-Collared: Fashioning Masculinity in American Visual Culture

2002:
Anne Bissonnette, Locks & Frocks: Fashion at the time of the Ohio and Erie Canals

2001:
Tiffany Webber-Hanchett, Dorothy Shaver: Promoter of "The American Look"

2000 (two awards):
Peter La Chapelle, All That Glitters: Country Music, Taste and the Politics of the Rhinestone 'Nudie' Suit
and
Deborah Saville, Freud, Flappers, and Bohemians: The Influence of Modern Psychological Thought on Dress

1999:
Dominique Cocuzza, Dress of Quadroon Women in New Orleans, 1770-1840

1998:
No award granted

1997:
Colleen R. Gau, Determination of Pulmonary Function and Physiologic Pressures Related to Tight-Lacing of Females and Evaluation of These Effects on Soft Tissues

1996:
Robert Schorman, Ready or Not: The Meaning of Clothes in Late 19th-Century America

1995:
Sophie K. White, Aspects of Dress in 18th-Century Louisiana

1994:
Jill S. Fields, The Production of Glamour: A Social History of Intimate Apparel 1909-1959

1993:
Susan Shifrin, Fitting In: The Constraints of Clothing in the Medical Profession 1850-1910

1992:
Camilla Townsend, Bartering Shawls for their Livelihood: The Women's Clothing Industry in Pre-Industrial Baltimore

1991:
Alexandra Palmer, 1950s Paris Couture Research

1990:
Maureen Trudell Schwarz, In the Image of Changing Women: The Role of Traditional Navajo Costume in the Contemporary Ceremonial Context

1989:
Jeffrey Butterworth, American Women's Shoes 1750-1950

1988:
Diane Hamblin, Development of Early Modern Dance Costume

1987:
Merrill Horswill, Save the Silks! Protection for Weighted Silk Costumes

 

For more detailed information, please contact the National Office. Include the name of the grant in your request.

 

 

 

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