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What Prospective Authors Should Know

CSA Series Editorial Board

 

CSA Series

CSA SERIES Published in partnership with Texas Tech University Press.

American Silk, 1830-1930: Entrepreneurs and Artifacts
$45 cloth, available 01/2007
Jacqueline Field, Marjorie Senechal, & Madelyn Shaw
320 pages, 100 b/w photos & illustrations, 12 color
Traces the evolution of the American silk industry through three compelling and very different case studies: The Nonotuck Silk Company (Northampton, MA), the Haskell Silk Company (Westbrook, ME), and the Millinson Silk Company (NY & PA).

As Seen in Vogue: A Century of American Fashion in Advertising
$45 cloth, 01/2005
Daniel Delis Hill
226 pages, 600 b/w illustrations, 32 color
A chronicle of American women’s fashions that examines relationships between the mass-market ready-to-wear industry, fashion journalism, and fashion advertising and reveals dramatic transformations in women’s roles and self-image.

Clothing and Textile Collections in the United States: A CSA Guide
$39.95 paper, 05/2006
Sally Queen and Vicki L. Berger
Forward by Rosalyn M. Lester
608 pages, 245 photos
Comprehensive guide to 2400+ American institutions that are open to the public that have clothing, uniforms, accessories, textiles, quilts, and flags among their holdings.  
A Separate Sphere:

A Separate Sphere: Dressmakers in Cincinnati’s Golden Age
1877-1922
$32.50 (paper only; cloth available from TTUP), 09/2003
Cynthia Amnéus
Forward by Timothy Rub
Essays by Anne Bissonnette, Marla Miller, & Shirley Teresa Wajda
216 pages
An exhibition catalogue with essays that examine the nineteenth-century ideology of women’s separate sphere, the early feminist movement, women in the workplace, and dressmakers as artisans and professionals.
Your Vintage Keepsake:

A CSA Guide to Costume Storage and Display

$9.00 each
Margaret Ordoñez

Costume in Performance
2007 History Fashions Calendar
$14.95 paper

Edited by Sally Queen
Introduction by Joy Spanabel Emery
24 pages, 72 color photos
Twelve US collections and their costumes from Mardi Gras to Broadway and Hollywood.  This is the 10th and final edition in the Historic Fashions Calendar Series.
Calendar back issues (2002 – 2006) are available through www.sallyqueenassociates.com as long as supplies last.

Online Order Form

What prospective authors should know

WHAT KINDS OF BOOKS DOES THE SERIES EMBRACE?

HOW TO SUBMIT YOUR PROPOSAL

WHEN YOUR BOOK IS CONSIDERED

THE CONTRACT

WHAT ABOUT THE MANUSCRIPT?

COORDINATING WORK ON YOUR BOOK

INQUIRIES, PROPOSALS, OR REQUESTS FOR CATALOGS

WHAT KINDS OF BOOKS DOES THE SERIES EMBRACE?

Inquiries and proposals for works on all subjects relating to the history and conservation of costume and adornment are welcome. Books published range from scholarly to general interest and vary widely in format, from primarily textual to highly illustrated.

Although all titles must pass a rigorous review in terms of substance, 50% of published titles address or embrace a general readership. Titles in this category must be well written and focused on their specific subjects as well as carefully researched and substantiated, but cannot become too deeply entrenched in theory and analysis or jargon for the average reader.

HOW TO SUBMIT YOUR PROPOSAL

To submit a book proposal to us, you should send a two-to-four page typed outline or annotated contents indicating the nature and scope of each chapter and significant appendix. Your proposal should also comprise an introduction, a minimum of two sample chapters, and a cover letter that includes:

Your working title

Anticipated manuscript length

A comparison of your book to others published on the subject, explaining why you think your treatment of the subject is unique

A concise summary of the niche and market for your book, specifying the need for it, the various audiences who will purchase it, and the size of those audiences.

A brief autobiographical summary telling us why you are qualified to write this book, and the nature and scope of the research.

Make sure you list your complete address (including e-mail, if any), with a daytime phone number. If you want your material returned, enclose an addressed return envelope with sufficient postage. You can expect an initial response within eight weeks of our receipt of your proposal.

WHEN YOUR BOOK IS CONSIDERED

If we are potentially interested in publishing your book, we will send you an Author Questionnaire and request additional manuscript samples. Your answers to this questionnaire are crucial to our decision and—should your book be accepted—in the preparation of promotional materials. All titles that merit further consideration are also reviewed by outside readers as proposals and/or manuscripts and must be approved by the Texas Tech University Press Editorial Committee.
Sales and cost estimates, and a price recommendation, will be worked out by our marketing and business departments. The final decision to publish will be based on these estimates, your proposal or complete manuscript, your responses to the Author Questionnaire, and comparisons with similar proposals received. We will inform you of our decision as soon as possible—usually within two to three months after we receive the additional materials and information requested.

THE CONTRACT

Your contract will be offered upon approval of the Editorial Committee. It will pay a standard royalty as a percentage of actual receipts from sales of books, subsidiary rights, and licenses. Agented authors should be aware that we insist on direct communications with the author during the consideration process.

WHAT ABOUT THE MANUSCRIPT?

A scheduled date for completion of your complete and final manuscript (including all ancillary materials: illustrative matter, permissions, etc.) will be specified in your contract. Failure to meet this deadline may result in the removal of the book from our production time-table. This will delay, and may even prevent, its eventual publication.

Proposals and manuscripts should be submitted on 8.5” x 11” sheets, typed or word-processed in double-space, and consecutively numbered. Manuscripts should be at least 200 pages in length, unless we specifically agree to fewer. Final manuscripts are required word-processed on IBM-compatible disk(s) and in matching hard copy (Microsoft Word 6.0 for Windows is the program of preference).

COORDINATING WORK ON YOUR BOOK

After contracting, your book will be scheduled for pre-production development through the editorial department as soon as your complete and final manuscript is received. The Press cannot provide anything beyond normal press-level editing, therefore, if substantial revision is necessary, your manuscript will be returned to you. If your final manuscript is acceptable, the Press will engage an on-disk copyeditor to make corrections and suggestions for improvement, send you hard copy to check, and clear with you directly any questions that arise about the manuscript.

The book will not be put into production until the sponsoring editor determines that all reasonable manuscript refinements have been made. Your sponsoring editor is your representative on our publishing staff and will be eager to talk with you at any time, not only about your current book, but also about future writing projects you may have in mind.

Once your copyedited manuscript enters production, we will keep you informed on our progress in its prepress development. A production schedule will be set and you will be informed as to when you will receive first and second, and if necessary, final page proofs to check. When you receive second page proofs, you will have time to prepare (or engage a professional to prepare), to be delivered on disk to the Press with your returned page proofs.

Generally, the Press receives printed and bound books roughly two to four months after the book is sent to the printer, depending upon the nature of the book and the location of the printer. Your publication date is not the date the Press receives or is able to ship your books, nor the day you receive advance copies. It is a carefully planned date set in consideration of marketing plans and the earliest available date your book can appear in the stores. The marketing department will work closely with you to establish the more desirable release date.

ALL INQUIRIES, PROPOSALS, OR REQUESTS FOR CATALOGS

Phyllis A. Specht
CSA Series Editor
Texas Tech University Press
Shipping: 2903 4th Street
Lubbock, TX 79409
Correspondence: Box 41037
Lubbock, TX 79409-1037
(806)-742-2982

CSA Series Editor

Phyllis Specht
3540 Grayburn Road
Pasadena, CA 91107
(626) 796-0076 (voice)
(626) 564-0459 (fax)
paspechtcj@sbcglobal.net

Series Editorial Board 2002-2005

Alicia Annas
San Diego State University
Whitney Blausen
Independent Researcher, Writer
Nancy Bryant
Oregon State University
Dale Carolyn Gluckman
Los Angeles County Museum of Art
Virginia Gunn
University of Akron
Sally Buchannan Kinsey
Syracuse University
David Newell
Colorado Historical Society
Edward Maeder
Historic Deerfield, Inc.
Patricia L. Roath
Montana Heritage and Preservation Commission
Kristine J. Rhoback
Amherst Museum
Dennita Sewell
Phoenix Art Museum
Janea Whitacre
Colonial Williamsburg

Publisher

Texas Tech University Press
Box 41037
Lubbock, TX 79409
(800) 832-4042 (voice)
(806) 742-2979 (fax)
ttup@ttu.edu
http://www.ttup.ttu.edu

 

 

 


CSA Series

•American Silk, 1830-1930: Entrepreneurs and Artifacts
● As Seen in Vogue: A Century of American Fashion in Advertising
● Clothing and Textile Collections in the United States: A CSA Guide
• A Separate Sphere: Dressmakers in Cincinnati's Golden Age 1877-1922
• Your Vintage Keepsake: A CSA Guide to Costume Storage and Display
● 2007 History Fashions Calendar: Costume in Performance

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