CSA Scholars’ Roundtable Honor
The CSA Scholars’ Roundtable recognizes those who exemplify high standards in costume scholarship and charges them with leading a National Symposium event that stimulates consideration and discussion of an issue pertaining to costume scholarship.
The Scholars’ Roundtable was formed in 1997 to enhance costume scholarship, taking it in innovative and interdisciplinary directions through a program at the CSA National Symposium. Presented in various formats throughout the years, under the current format a complex or potentially contentious topic relating to the field of costume studies is chosen for discussion each year. Three to four scholars, selected for their varied insights, experiences, and viewpoints regarding that topic, each briefly explore aspects of the subject and then encourage attendees to join the discussion.
2027 Scholars' Roundtable
Watershed Moments: Epiphany through Discovery
This year’s Symposium’s theme, “Watershed Moments in Dress,” forms the basis for the Scholars' Roundtable. The term watershed describes moments of significant, often momentous, change. The goal of the roundtable is to showcase the work of dress scholars who have discovered technological, cultural, or political revolutions through their dress practices, and to demonstrate the breadth and depth of impact driven by CSA’s members. Members are encouraged to view the concept of discovery as a process that yields epiphanies and to reflect on the magnitude of processes undertaken by the CSA membership that reshape how we create, wear, and understand dress.
All members of CSA are invited to apply to participate in this roundtable discussion. Applicants and nominees will contextualize their discoveries and/or process of discovery within their work in a discussion guided by questions such as:
- How do costumers, recreationists or other practitioners yield epiphanies through their process of making?
- What discoveries about dress can be learned from conservators?
- How do museum curators, and educators engage and shape discovery?
- How do new discoveries affect creative and production processes (e.g., technological accelerations, production techniques, cultural shifts)?
- What watershed moments can or have risen from community-centered approached?
- How can we best instruct on the strategies for discovery and learning across the dress discipline?
- How do intersectional approaches to fashion and dress studies yield greater accuracy and representation?
- What can we learn about revolutions from dress history, and how does dress history shape our understandings of revolutions?
- How has dress affected the progression of countercultural, gender, or race movements?
- What epiphanies have shaped technological, cultural, or political knowledge in dress studies?
This year's committee co-chairs are Emily Oertling and Alyssa Opishinski.
Please contact Committee Co-chair Emily Oertling for more information:
Recipients
2026, Generational Practices: Approaches to Sustainability Across the Dress Discipline
Jennifer Harmon, University of Wyoming
Sara Idacavage, Southern Methodist University
Katie Baker Jones, West Virginia University
Katrina Orsini, The GW Museum and The Textile Museum
2025, From Zoom to Lectra: The Tools, Theories, and Technologies That Move Dress Forward
Laura Camerlengo
Fine Arts Museums of San Francisco
Daniel Drak
Parsons School of Design
Alyssa Ridder
Metropolitan State University of Denver
Dina Smith-Glaviana
Virginia Polytechnic Institute and State University
2024, 1973 to 2073: The Past, Present, and Future of Dress Studies
Marilyn DeLong
University of Minnesota
Clarissa Esguerra
Los Angeles County Museum of Art
Monica Sklar
University of Georgia
Elizabeth Way
The Museum at FIT
2023, Crossroads of Dress and Adornment: Creativity, Culture and Collaboration
Shelly Foote
National Museum of American History, Smithsonian Institution, retired (Organizer)
Adam MacPhàrlain
Missouri Historical Society
Kelly Reddy-Best
Iowa State University
Petra Slinkard
Peabody Essex Museum
Leon Wiebers
Loyola Marymount University
2022, Innovation in the Fashion History Curriculum
Linda M. Welters,
University of Rhode Island
Kingston, Rhode Island
Abby Lillethun
Montclair State University
Montclair, New Jersey
Lauren D. Whitley,
Museum of Fine Arts, Boston
Boston, Massachusetts
2021, Design and Curatorial Scholarship: Purpose, Place, Present, and Future
Co-Chair: Dr. Kelly Reddy-Best
Iowa State University
Ames, Iowa
Co-Chair: Dr. Carmen Keist
Bradley University
Peoria, Illinois
Karen DePauw
Indiana Historical Society
Indianapolis, Indiana
Kristen Morris
Colorado State University
Fort Collins, Colorado
Linda Pisano
Indiana University Bloomington
Bloomington, Indiana
Eulanda Sanders
Iowa State University
Ames, Iowa
Sarah Scaturro
Cleveland Museum of Art
Cleveland, Ohio
2019, Do we really study diversity and dress?
Dr. Michael Mamp (Moderator)
Central Michigan University
Mt. Pleasant, MI
Nancy Deihl
New York University
New York, NY
Tameka N. Ellington, Ph.D.
Kent State University
Kent, OH
Carmen Keist, Ph.D.
Bradley University
Peoria, IL
Kelly L. Reddy-Best, Ph.D.
Iowa State University
Ames, IA
2018, Engaging Labor, Acknowledging Maker
Laurie Brewer
Rhode Island School of Design
Providence, RI
Dr. Michael Mamp
Central Michigan University
Mt. Pleasant, MI
Sara Bernstein
Pacific Northwest College of Art
Portland, OR
Ariele Elia
FIT, Fordham Law
New York, NY
2017, Technology: Friend and Foe?
Denise Nicole Green
Cornell University
Ithaca, NY
Virginia Heaven
Columbia College
Chicago, IL
Abby Lillethun
Montclair State University
Montclair, NJ
Ingrid Mida
Ryerson University
Toronto, Ontario, Canada
2016, Everyone Their Own Curator: Professionalism and Authority in the Digital Age
Jo Paoletti
Chair, Scholars Roundtable Committee
Virginia Heaven
Columbia College
Chicago, IL
Sara Hume
Kent State University Museum
Kent, OH
Deborah Kraak
Independent Museum Professional
Wilmington, DE
Ingrid Mida
Ryerson University
Toronto, Ontario, Canada
2015, Credit Where Credit is Due
Jean Parsons
Associate Professor, Department of Textile and Apparel Management, University of Missouri
Columbia, MI
Sara Marcketti
Associate Professor, Department of Apparel, Events, and Hospitality Management; Associate Director, Center for Excellence in Learning and Teaching, Iowa State University
Ames, IA
2014, Beyond Material Culture: Sources for Scholarship
Dr. Kimberly Chrisman Campbell
Dr. Jo Barraclough Paoletti
Petra Slinkard
2013
Sara Marcketti
Christina Johnson
Dr. Ann B. Wass
2012, Mind the Gap!
Dr. Elizabeth J.W. Barber
Cynthia Cooper
Mark D. Hutter
2011, Innovations in Fashion and Dress Scholarship
Anne Bissonnette
Marilyn DeLong
Howard Kurtz
2009 – 2010:
Hiatus of Scholars’ Roundtable Honor
2008
Tina Bates
Joseph Hancock
Gayle Strege
2007
Catherine Amoroso Leslie
Jean Parsons
Dennita Sewell
2006
Hiatus of Scholars’ Roundtable Honor
2005
Sandra Buckland
Jacqueline Field
Elaine Pedersen
2004
Hiatus of Scholars’ Roundtable Honor
2003
Hiatus of Scholars’ Roundtable Honor
2002
Nancy Bryant
Edward Maeder
Charlotte Jirousek
Laurel Wilson
2001
Joanne Eicher
JoAnn Stabb
Sally Helvenston
Margaret Spicer
Naomi Tarrant
2000
Patricia Anawalt
Beverly Chico
1999
Patricia A. Cunningham
Jane Farrell-Beck
Valerie Steele
1998
Linda Baumgarten
Claudia Brush Kidwell
Elizabeth J. W. Barber
Joy Emery
1997
Jean Druesedow
Jo B. Paoletti
Phyllis Tortora
Patricia Campbell Warner
Linda Welters
