2024 Costume Society of America Grants, Projects, Awards, and Honors Announced

April 15, 2024

Costume Society of America (CSA) is pleased to announce the recipients of its 2024 grants, projects, awards, and honors. "We have an exceptional group of awards, honors, and grant recipients this year. I want to thank all of our committees for their work and dedication in reviewing the nominees,” says Arlesa Shephard, CSA Vice President for Awards and Honors. Patricia Edmonson, Vice President for Grants and Projects adds, "We truly appreciate the time our applicants spend on each submission. Our committee chairs are always here to help members through the process of applying!” All awards, grants, and projects are funded through the generosity of donors to the CSA Endowment.


One Costume Society of America Fellow has been chosen this year to honor her significant contributions to the field of costume. Linda Baumgarten is a specialist in the early history of textiles and costumes. For 39 years she held the position of curator of textiles and costumes at the Colonial Williamsburg Foundation in Williamsburg, Virginia. She is the author of three books and co-author of two others. What Clothes Reveal, The Language of Clothing in Colonial and Federal America won CSA’s Millia Davenport Publications Award. In her retirement, Linda continues to lecture, research clothing and quilts, and draw quilt patterns using Computer-Assisted Design technology.

 

In addition to this most prestigious honor, each year CSA supports its members and recognizes their achievements by conferring numerous awards. For example, this year’s Millia Davenport Publication Award goes to Ann Lowe: American Couturier by Elizabeth Way (Rizzoli Electa, an imprint of Rizzoli New York), and the Betty Kirke Excellence in Research Award is given to Anne Bissonnette and Sherry Schofield for their Creative Design titled Zero Waste Thinking: Portrait Tunic and Palazzo Pants. The two Richard Martin Exhibition Awards go to Lee Alexander McQueen and Ann Ray: Rendez-Vous from Barrett Barrera Projects and Past and Present Lives of Upcycled Fashion by curator Kat Roberts at Cornell University. The Costume Design Award is given to Daniel James Cole for his work on Ariadne auf Naxos at Arizona Opera and The Howard Vincent Kurtz Emerging Theatre Artist Award is given to Kessler Jones for her designs for Clue at Michigan State University. This year’s CSA Entrepreneur Recognition Award goes to Tricia Camacho of The Patterned Seamstress LLC and Creative Costume Academy.

 

Along with honors and awards, CSA distributes grant money to a variety of individuals and organizations in the field. These include the CSA Stella Blum Student Research Grant, which has been given this year to Dyese L. Matthews for her research Fashioning Memories and Places: Black Women's Style in Harlem 1970-Present. The 2024 Angels Project Grant is given to The Howard County Historical Society in Maryland. Two Adele Filene Student Presenter Grants go to Constance Spotts and Paige Tomfohrde.

 

A full list of all of CSA’s grants, honors, and awards can be found below. They will be celebrated on Wednesday, May 22, 2024, during CSA’s 50th Annual National Meeting and Symposium in Washington, DC.


  • Costume Society of America Fellow Honor: Linda Baumgarten, Williamsburg, Virginia
  • CSA Entrepreneur Recognition Award: Tricia Camacho, The Patterned Seamstress LLC and Creative Costume Academy, Mocksville, North Carolina
  • CSA Costume Design Award: Daniel James Cole, Ariadne auf Naxos, Arizona Opera
  • CSA Richard Martin Exhibition Award, Large Organization: Lee Alexander McQueen and Ann Ray: Rendez-Vous, Barrett Barrera Projects, St. Louis, Missouri
  • CSA Richard Martin Exhibition Award, Small Organization: Past and Present Lives of Upcycled Fashion, Kat Roberts, Cornell University, Ithaca, New York 
  • CSA Richard Martin Exhibition Award Commendation: Woven Identities: Ghanaian and Guatemalan Textiles in the Face of Globalization, Anne Bissonnette (PhD), Siming Guo (PhD) Elsie Osei (MFA), and Chiara Power (BA), University of Alberta
  • Millia Davenport Publication Award: Ann Lowe: American Couturier by Elizabeth Way with contributions by Heather Hodge, Laura Mina, Margaret Powell, Katya Roelse, and Katherine Sahmel (Rizzoli Electa, an imprint of Rizzoli New York)
  • CSA Howard Vincent Kurtz Emerging Theatre Artist Award: Kessler Jones, Clue, Michigan State University
  • CSA Stella Blum Student Research Grant: Dyese L. Matthews, Cornell University, Ithaca, New York, Fashioning Memories and Places: Black Women's Style in Harlem 1970-Present 
  • Betty Kirke Excellence in Research Award Anne Bissonnette, University of Alberta, and Sherry Schofield, Florida State University, Zero Waste Thinking: Portrait Tunic and Palazzo Pants 
  • Scholars’ Roundtable: 1973 to 2073: The Past, Present, and Future of Dress Studies; Marilyn DeLong, University of Minnesota; Clarissa Esguerra, Los Angeles County Museum of Art; Monica Sklar, University of Georgia; Elizabeth Way, The Museum at FIT
  • CSA Travel Research Grant: Holly Durbin, Stitched Identities: American Menswear and the Art of Assimilation 
  • College and University Collection Care Grant: California College of the Arts, San Francisco, California
  • CSA Small Museum Collection Care Grant: Old Trails Museum, Winslow Historical Society, Winslow, Arizona
  • CSA Dependent Care Grant: Sarah Silvas-Bernstein
  • Adele Filene Student Presenter Grants: Constance Spotts, Iowa State University, and Paige Tomfohrde, Cornell University
  • CSA Angels Project: The Howard County Historical Society, Ellicott City, Maryland

 

Pictured above from left to right:

The Creative Design by Anne Bissonnette and Sherry Schofield titled Zero Waste Thinking: Portrait Tunic and Palazzo Pants, recipient of the Betty Kirke Excellence in Research Award; Mustard, Green, Peacock, White, Plum and Scarlet eavesdrop at the door of Boddy Manor’s grand dining room in Michigan State University’s production of Clue with costumes designed by Kessler Jones, recipient of the CSA Howard Vincent Kurtz Emerging Theatre Artist Award; cover of Ann Lowe: American Couturier by Elizabeth Way with contributions by Heather Hodge, Laura Mina, Margaret Powell, Katya Roelse, and Katherine Sahmel (Rizzoli Electa, an imprint of Rizzoli New York), recipient of the Millia Davenport Publication Award. 



By Kristen Zohn April 14, 2026
C ostume Society of America (CSA) is pleased to announce the recipients of its 2026 grants, projects, awards, and honors . "We are proud to recognize this year’s outstanding recipients whose work strengthens and advances the field of costume and dress studies. I am grateful to our committee members whose thoughtful, dedicated service makes it possible to honor and celebrate our colleagues,” says Colleen Pokorny, CSA Vice President for Awards and Honors. Nora Carleson, Vice President for Grants and Projects, adds: “I heartily thank the dedicated committee members and chairs who have volunteered their time and effort to give the many submissions for our grants and projects the attention they deserve. Likewise, thank you to all who applied this year. We know that the application process requires effort, time, and care, and we hope that you all continue to engage with CSA in the future.” All awards, grants, and projects are funded through the generosity of donors to the CSA Endowment . This year, CSA is honored to name Cynthia Cooper as the 2026 Costume Society of America Fellow. Cooper’s decades of leadership in Canadian dress history, her award‑winning exhibitions, and her extensive scholarship have shaped the field in profound ways. As noted in her nomination materials, colleagues praise her “world-class scholarship, and heartfelt dedication to our field and our organization” and her “quiet supportive brilliance which touches all those who are lucky enough to cross her path.” Cooper is also the recipient of the 2026 Millia Davenport Publication Award for Costume Balls: Dressing Up History, 1870–1927 , a richly researched and visually compelling volume accompanying her recent exhibition at the McCord Stewart Museum. CSA also proudly recognizes JLN Costume Mounting LLC, founded by Jennifer Nieling, with this year’s Entrepreneur Recognition Award. Nieling’s work exemplifies the essential role of costume mounting in exhibition practice, providing museums nationwide with specialized expertise that “brings costumes and accessories to life” while prioritizing conservation and interpretive clarity. This year’s awards also highlight CSA’s ongoing commitment to service through the 2026 Angels Project, which will take place on Sunday, May 31, at Historic Rosedale in Charlotte, North Carolina. Built in 1815 and one of the city’s oldest surviving homes, Historic Rosedale preserves the intertwined histories of the families who lived there and the enslaved and free African Americans connected to the site. CSA volunteers will assist with collections care and preservation while learning about the house, its holdings, and its historic grounds. All awardees, honorees, and grant recipients will be recognized on Monday evening, June 1, 2026, during CSA’s 52nd Annual National Meeting and Symposium in Charlotte, North Carolina. Costume Society of America Fellow Honor: Cynthia Cooper, Montreal, Quebec, Canada CSA Creative Work Honor: to be determined CSA Costume Design Award: Lorena Lopez, The Busy Bee’s Great Adventure , Adrienne Arsht Center for the Performing Arts, Miami, Florida CSA Richard Martin Exhibition Award, Large Exhibition: Superfine: Tailoring Black Style , The Metropolitan Museum of Art, Exhibition Team: Monica L. Miller, Andrew Bolton, Amanda Garfinkel, and William DeGregorio CSA Richard Martin Exhibition Award, Small Exhibition: The Life of Kid’s Clothes , Missouri Historical Society, Exhibition Team: Adam MacPhàrlain, Abigail Sarver-Verhey, and Magdelene Linck CSA Richard Martin Exhibition Award, Student-led Exhibition: The Making of Barkcloth: Place, Gender, and Trans-Local Community , Cornell University, Student Curator: Iris Yiqun Luo, Advisors: Catherine Kueffer Blumenkamp, and Denise Nicole Green Millia Davenport Publication Award: Costume Balls: Dressing Up History, 1870-1927 by Cynthia Cooper (published by the McCord Stewart Museum, Montreal, Quebec, Canada) CSA Entrepreneur Recognition Award: JLN Costume Mounting LLC, Jennifer Nieling CSA Howard Vincent Kurtz Emerging Theatre Artist Award: Isabel Toteda, 12 Angry Jurors , University of California, Irvine Betty Kirke Excellence in Research Award: Anika Kozlowski for Creative Work titled Re-Assembled: The Paper Doll Coat — A Modular No-Sew Coat from Textile Waste Scholars’ Roundtable: Generational Practices: Approaches to Sustainability Across the Dress Discipline ; Jennifer Harmon, University of Wyoming; Sara Idacavage, Southern Methodist University; Katie Baker Jones, West Virginia University; Katrina Orsini, The GW Museum and The Textile Museum CSA Travel Research Grant: Mary Alice Casto, Accessible and Exclusive: The Home Seamstress and Vogue Couturier and Paris Originals Patterns, 1932-1965 , and Daniel James Cole, Dayak by Design: Transformations to Tradition in Western Borneo College and University Collection Care Grant: Johnson County Community College, Overland Park, Kansas CSA Small Museum Collection Care Grant: Park-McCullough House, North Bennington, Vermont CSA Dependent Care Grant: Danielle Hodgins Adele Filene Student Presenter Grants: Olivia Nash, University of Alberta, and Mansoureh (Sophie) Nikookar, University of Minnesota CSA Angels Project: Historic Rosedale, Charlotte, North Carolina Presidential Award Winner(s): announcement forthcoming Pictured above from left to right: Interior pages from the Millia Davenport Publication Award Winner Costume Balls: Dressing Up History, 1870-1927 by newly honored Fellow Cynthia Cooper (Laura Dumitriu © Musée McCord Stewart Museum); Custom mounts by JLN Costume Mounting LLC for Forces for Change: Mary McLeod Bethune and Black Women’s Activism at the National Museum of African American History and Culture; objects at Angels Project site Historic Rosedale in Charlotte, North Carolina
March 29, 2026
This month we spoke with Marie-Claire Bozant, photographer and fashion collector. The history of dress and the future of fashion act in dialogue, always interfacing to inform our present moment. The Costume Society of America’s diverse members exemplify this reality like no other; through the constant connections across time and disciplines they draw, our membership of costume curators, designers, artists, and so much more embody fashion’s ubiquitous presence—and dress’s daily power to teach us all something new. We hope you will join us for CSA’s new Dialogues on Dress series, interviews now available monthly in our e-News and here on our website. Interested in getting in touch? Email enews@costumesocietyamerica.com
February 27, 2026
This month we spoke with Lillia Whittington, a maker, researcher, and educator whose sewing-centered practice explores creativity, connection, and the joyful, human energy of the clothes we wear. The history of dress and the future of fashion act in dialogue, always interfacing to inform our present moment. The Costume Society of America’s diverse members exemplify this reality like no other; through the constant connections across time and disciplines they draw, our membership of costume curators, designers, artists, and so much more embody fashion’s ubiquitous presence - and dress’s daily power to teach us all something new. We hope you will join us for CSA’s new Dialogues on Dress series, interviews now available monthly in our e-News and here on our website. Interested in getting in touch? Email enews@costumesocietyamerica.com
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