Cue the applause— Costume Society of America’s 2025 Symposium was a blockbuster success!

June 12, 2025

Cue the applause— Costume Society of America’s 2025 Symposium was a blockbuster success! 

The 51st Annual Costume Society of America's National Annual Meeting and Symposium in Los Angeles has officially come to a close, leaving us with unforgettable moments and inspiring discussions. Hosted on the beautiful Loyola Marymount University campus, this year’s gathering embraced the theme "Innovation: The Art, Craft, History, Technology, and Diaspora of Dress," offering attendees a dynamic mix of scholarship, creativity, and hands-on experiences.

 

The symposium kicked off with the Angels Project at the LAX Flight Path Museum on Saturday and a pre-symposium tour on Sunday to two of LA’s most renowned institutions, LACMA and the Academy Museum of Motion Pictures. That evening, symposium attendees gathered for a reception hosted by Dean of the Library Kristine Brancolini and viewed an exhibition curated by students, featuring objects from two different collections, including garments by Alexander McQueen, Issey Miyake, and Chanel, in the Archives and Special Collections at the William H. Hannon Library at LMU.

 

On Monday, workshops provided valuable hands-on learning, covering topics such as textile conservation, teaching costume history with VR, and understanding costume unions. The Awards Ceremony was followed by a highlight of the opening day: the keynote address by Academy Award-winning costume designer Ruth E. Carter and a special session she conducted exclusively for students. Although she participated virtually, her impact was undeniable. Through her warmth, wisdom, and masterful storytelling, she captivated the audience, creating an experience so engaging that it felt as if she were right there with us in person. Monday evening, a reception was hosted and sponsored by the Dean of LMU’s College of Communication & Fine Arts Bryant Keith Alexander.

 

A standout event was the fundraiser at Sony Pictures Studio, where guests enjoyed a glamorous evening featuring food by Wolfgang Puck and exclusive tours of the iconic television soundstage for Wheel of Fortune and a mock-up of the Seinfeld set. Attendees visited tables in our Marketplace, and the Cash & Carry and Silent Auction directed by Eileen Trestain and Lila Trestain yielded over $2,000.

 

On Thursday, two post-symposium tours took attendees to LACMA storage/Skirball Cultural Center Museum and ASU Fashion Institute of Design and Merchandising Museum/The Collection of Motion Picture Costume Design, giving participants exclusive behind-the-scenes access to costume collections and textile arts.

 

Throughout the three days of the symposium, attendees engaged in plenary and concurrent research sessions, exploring the latest scholarship in dress history, design, and conservation. The Creative Works Exhibition showcased innovative projects, and members-to-members/ first-timers meet and greet garnered a record turnout. Symposium attendees shared insights and ideas with CSA leadership at a Town Hall meeting, ensuring that the organization continues to evolve and support the field in meaningful ways.

 

Abstracts of this 51st Annual Meeting and Symposium can be downloaded on the members-only site. We want to hear from you! Whether you attended this year’s symposium or not, please give us your thoughts by clicking here. Your feedback is valuable to us as we plan for the future.

 

We extend our sincere appreciation to our sponsors: Loyola Marymount University College of Communication and Fine Arts, the William H. Hannon Library, and Department of Theatre Arts; Sony Pictures; Silver Level Sponsors Bloomsbury Academic and DittoForm LLC Michigan; Bronze Level Sponsor Fountainhead Antique Auto Museum; 2025 Angels Project sponsors University Products, Talas, Gaylord Archival, Archival Methods, Testfabrics, and Terri Balogh; and Reception Sponsors Fess Parker Winery and Vineyard and Wine Country Gift Baskets. Thanks also to our marketplace participants and advertisers: Bloomsbury Academic, DittoForm LLC Michigan, Intellect Books, Meredith Strauss, University Products, The Way We Wore, and Dana Auctions.


Attendees also showed their individual support through sponsorships inspired by Los Angeles Neighborhoods. At the $200 Santa Monica Level: Lalon Alexander, Ann Braaten, and Lesley Heller. At the $100, Bel Air Level: Adam MacPharlain, Margaret Ordoñez, and Sarah Stevens. At the $50, Hollywood Level: Theresa Alexander, Tina Bates, Ann Braatan, Deborah Brothers, Judi Dawainis, Mary Gibson, Elise Yvonne Morin-Rousseau, Betsey Potter, Coleen Scott, Leigh Southward, and Ginger Stanciel. At the $25, The Valley Level: Nadia Abdallah, Courtney Anderson, Hilary Davidson, Melissa Gamble, Michaele Haynes, Alex Hoffman, Danielle Reaves, Arti Sandhu, and Sara Wilcox. At the $10, Venice Beach Level: Colleen Callahan, Margaret (Meg) Geiss-Mooney, Kim Jones, Knox Korte, Mansoureh Nikookar, Barbara Parent, Arlesa Shephard, Ann Wass, and Deborah Weber.


As we reflect on this incredible gathering, we extend our deepest gratitude to CSA’s Western Region for their hard work in organizing such a successful event, especially our fantastic co-chairs Abra Flores and Leon Wiebers. Their team included: Coleen Scott, Brenna Barks, and Sarah Andrews-Collier, Abstracts Administrators for Research Presentations, In-process Research Presentations, and Panel/Discussion Sessions; Naomi Arnst, Abstracts Administrator/Coordinator for Creative Works; Mary Gibson, Abstracts Administrator/Coordinator for Professional Development Workshops; Abstracts Editors: Judi Dawainis, Meghan Hansen, and Ann Wass; Angels Project: Martha Grimm and Margaret Ordoñez; First Timers/Member-to-Member Meet and Greet: Laura Camerlengo, Katie Baker Jones, and Monica Sklar; Student Meet and Greet: Adam MacPhàrlain; Scholars’ Roundtable: Jaleesa Reed and Ginger Stanciel; Tours: Paula Davis; Marketplace: Deborah Miller and Leon Wiebers; Silent Auction and Cash & Carry: Eileen Trestain; Fundraiser Event: Leon Wiebers; Social Media: Faith Cooper and Minjee Kim; Evaluations: Ann Wass; CSA Vice President for Symposia: Heidi Cochran; CSA Vice President for External Relations: Deborah Miller; CSA Executive Director: Kristen Miller Zohn; and CSA Database and Member Services Administrator and Registration Coordinator: Kate Ahn. Special thanks go to the more than 30 abstract reviewers who made our symposium possible.

 

Next Year’s Plans

Next year, our Southeastern Region will host the 52nd National Annual Meeting and Symposium in Charlotte, North Carolina, May 31 through June 4, 2026. Mark your calendars!

 

Images top row left to right:

Special marquee signage at the Fundraiser Event at Sony Pictures Studio; attendees watch Ruth E. Carter’s keynote address; Angels participants at the LAX Flight Path Museum; the 2025 Creative Work Honor winner Anne Bissonnette presents her garment

Images bottom row left to right:

Academy Museum Tour attendees; clockwise from bottom left: Monica Sklar, Kristian Hogans, Sha’Mira Deanne Covington, and Clarissa Esguerra; Carol Huls of Dittoform LLC Michigan; the huge crowd at the members-to-members/ first-timers meet and greet 



By Kristen Zohn April 14, 2026
C ostume Society of America (CSA) is pleased to announce the recipients of its 2026 grants, projects, awards, and honors . "We are proud to recognize this year’s outstanding recipients whose work strengthens and advances the field of costume and dress studies. I am grateful to our committee members whose thoughtful, dedicated service makes it possible to honor and celebrate our colleagues,” says Colleen Pokorny, CSA Vice President for Awards and Honors. Nora Carleson, Vice President for Grants and Projects, adds: “I heartily thank the dedicated committee members and chairs who have volunteered their time and effort to give the many submissions for our grants and projects the attention they deserve. Likewise, thank you to all who applied this year. We know that the application process requires effort, time, and care, and we hope that you all continue to engage with CSA in the future.” All awards, grants, and projects are funded through the generosity of donors to the CSA Endowment . This year, CSA is honored to name Cynthia Cooper as the 2026 Costume Society of America Fellow. Cooper’s decades of leadership in Canadian dress history, her award‑winning exhibitions, and her extensive scholarship have shaped the field in profound ways. As noted in her nomination materials, colleagues praise her “world-class scholarship, and heartfelt dedication to our field and our organization” and her “quiet supportive brilliance which touches all those who are lucky enough to cross her path.” Cooper is also the recipient of the 2026 Millia Davenport Publication Award for Costume Balls: Dressing Up History, 1870–1927 , a richly researched and visually compelling volume accompanying her recent exhibition at the McCord Stewart Museum. CSA also proudly recognizes JLN Costume Mounting LLC, founded by Jennifer Nieling, with this year’s Entrepreneur Recognition Award. Nieling’s work exemplifies the essential role of costume mounting in exhibition practice, providing museums nationwide with specialized expertise that “brings costumes and accessories to life” while prioritizing conservation and interpretive clarity. This year’s awards also highlight CSA’s ongoing commitment to service through the 2026 Angels Project, which will take place on Sunday, May 31, at Historic Rosedale in Charlotte, North Carolina. Built in 1815 and one of the city’s oldest surviving homes, Historic Rosedale preserves the intertwined histories of the families who lived there and the enslaved and free African Americans connected to the site. CSA volunteers will assist with collections care and preservation while learning about the house, its holdings, and its historic grounds. All awardees, honorees, and grant recipients will be recognized on Monday evening, June 1, 2026, during CSA’s 52nd Annual National Meeting and Symposium in Charlotte, North Carolina. Costume Society of America Fellow Honor: Cynthia Cooper, Montreal, Quebec, Canada CSA Creative Work Honor: to be determined CSA Costume Design Award: Lorena Lopez, The Busy Bee’s Great Adventure , Adrienne Arsht Center for the Performing Arts, Miami, Florida CSA Richard Martin Exhibition Award, Large Exhibition: Superfine: Tailoring Black Style , The Metropolitan Museum of Art, Exhibition Team: Monica L. Miller, Andrew Bolton, Amanda Garfinkel, William DeGregorio, and Kai Toussaint Marcel CSA Richard Martin Exhibition Award, Small Exhibition: The Life of Kid’s Clothes , Missouri Historical Society, Exhibition Team: Adam MacPhàrlain, Abigail Sarver-Verhey, and Magdelene Linck CSA Richard Martin Exhibition Award, Student-led Exhibition: The Making of Barkcloth: Place, Gender, and Trans-Local Community , Cornell University, Student Curator: Iris Yiqun Luo, Advisors: Catherine Kueffer Blumenkamp, and Denise Nicole Green Millia Davenport Publication Award: Costume Balls: Dressing Up History, 1870-1927 by Cynthia Cooper (published by the McCord Stewart Museum, Montreal, Quebec, Canada) CSA Entrepreneur Recognition Award: JLN Costume Mounting LLC, Jennifer Nieling CSA Howard Vincent Kurtz Emerging Theatre Artist Award: Isabel Toteda, 12 Angry Jurors , University of California, Irvine Betty Kirke Excellence in Research Award: Anika Kozlowski for Creative Work titled Re-Assembled: The Paper Doll Coat — A Modular No-Sew Coat from Textile Waste Scholars’ Roundtable: Generational Practices: Approaches to Sustainability Across the Dress Discipline ; Jennifer Harmon, University of Wyoming; Sara Idacavage, Southern Methodist University; Katie Baker Jones, West Virginia University; Katrina Orsini, The GW Museum and The Textile Museum CSA Travel Research Grant: Mary Alice Casto, Accessible and Exclusive: The Home Seamstress and Vogue Couturier and Paris Originals Patterns, 1932-1965 , and Daniel James Cole, Dayak by Design: Transformations to Tradition in Western Borneo College and University Collection Care Grant: Johnson County Community College, Overland Park, Kansas CSA Small Museum Collection Care Grant: Park-McCullough House, North Bennington, Vermont CSA Dependent Care Grant: Danielle Hodgins Adele Filene Student Presenter Grants: Olivia Nash, University of Alberta, and Mansoureh (Sophie) Nikookar, University of Minnesota CSA Angels Project: Historic Rosedale, Charlotte, North Carolina Presidential Award Winner(s): announcement forthcoming Pictured above from left to right: Interior pages from the Millia Davenport Publication Award Winner Costume Balls: Dressing Up History, 1870-1927 by newly honored Fellow Cynthia Cooper (Laura Dumitriu © Musée McCord Stewart Museum); Custom mounts by JLN Costume Mounting LLC for Forces for Change: Mary McLeod Bethune and Black Women’s Activism at the National Museum of African American History and Culture; objects at Angels Project site Historic Rosedale in Charlotte, North Carolina
March 29, 2026
This month we spoke with Marie-Claire Bozant, photographer and fashion collector. The history of dress and the future of fashion act in dialogue, always interfacing to inform our present moment. The Costume Society of America’s diverse members exemplify this reality like no other; through the constant connections across time and disciplines they draw, our membership of costume curators, designers, artists, and so much more embody fashion’s ubiquitous presence—and dress’s daily power to teach us all something new. We hope you will join us for CSA’s new Dialogues on Dress series, interviews now available monthly in our e-News and here on our website. Interested in getting in touch? Email enews@costumesocietyamerica.com
February 27, 2026
This month we spoke with Lillia Whittington, a maker, researcher, and educator whose sewing-centered practice explores creativity, connection, and the joyful, human energy of the clothes we wear. The history of dress and the future of fashion act in dialogue, always interfacing to inform our present moment. The Costume Society of America’s diverse members exemplify this reality like no other; through the constant connections across time and disciplines they draw, our membership of costume curators, designers, artists, and so much more embody fashion’s ubiquitous presence - and dress’s daily power to teach us all something new. We hope you will join us for CSA’s new Dialogues on Dress series, interviews now available monthly in our e-News and here on our website. Interested in getting in touch? Email enews@costumesocietyamerica.com
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