The Costume Society of America Announces 2026 National Board of Directors Election Results and Executive Committee Appointments

March 9, 2023

Costume Society of America is pleased to announce the results of the recent election for the Class of 2026 National Board of Directors. We would like to thank everyone on the slate of thirteen for their willingness to serve. From that slate, five were chosen to be inducted at this year’s Annual Meeting during the National Symposium in Salt Lake City, Utah, taking place May 23 through 27, 2023.


The Class of 2026 National Board of Directors are as follows. Karen DePauw, who will be serving her second term on the board, is Manager of Local History Services at the Indiana Historical Society. Adam MacPhàrlain, also serving a second term, is Curator of Clothing and Textiles at the Missouri Historical Society. Jaleesa Reed is Assistant Research Professor at Cornell University. Clare Sauro, who will be serving a second term, is Director and Chief Curator of the Fox Historic Costume Collection at Drexel University. Ginger D. Stanciel is the Programming, Engagement, and Exhibition Development Coordinator for Civic Projects Architecture in Chicago. Paige E. Tomfohrde will be appointed to serve as a Graduate Student Liaison to the Board of Directors.


Annette Becker, Director of the Texas Fashion Collection at the University of North Texas College of Visual Arts & Design, and Michael Mamp, Associate Professor at Louisiana State University, will serve as Board of Director alternates. Classes of 2024 and 2025 directors are: Lloyd Cracknell, Clarissa Esguerra, Karan Feder, Susan Hannel, Michaele Thurgood Haynes, Neal Hurst, Jean L. Parsons, Kelly Reddy-Best, Arlesa Shephard, and Graham Wetzbarger. Dyese Matthews serves as a Graduate Student Liaison.


CSA also announces several renewed appointments to the Executive Committee. The following will serve through the 2025 Annual Meeting: Vice President for Publications Julia Petrov, who is Curator of Daily Life and Leisure at the Royal Alberta Museum; Vice President for Grants and Projects Elise Yvonne Rousseau, who is Director & Principal Conservator of ACdR Conservation; Vice President for External Relations Karen DePauw; and Vice President for Technology Graham Wetzbarger, who is Founder & CEO of Luxury Appraisals & Authentication.


Several other Executive Committee members are serving until the 2024 Annual Meeting: President Lalon Alexander, President Elect Leon Wiebers, Past President Sheryl Farnan Leipzig, Treasurer Danielle Reaves, Secretary Theresa Alexander, Vice President for Awards and Honors Arlesa Shephard, Vice President for Internal Relations Katie Baker Jones, and Vice President for Education and Programs Heidi Cochran.


You can learn more about CSA Leadership by visiting https://costumesocietyamerica.com/mission/leadership-2/. Nominations for the Class of 2027 Board of Directors and 2024-2026 Executive Committee positions will be accepted July through November of 2023.


Pictured from left to right, top row:

Karen DePauw, Adam MacPhàrlain, Jaleesa Reed, Clare Sauro, Ginger D. Stanciel, and Paige E. Tomfohrde

Pictured from left to right, bottom row:

Julia Petrov, Elise Yvonne Rousseau, and Graham Wetzbarger



By Kristen Zohn April 14, 2026
C ostume Society of America (CSA) is pleased to announce the recipients of its 2026 grants, projects, awards, and honors . "We are proud to recognize this year’s outstanding recipients whose work strengthens and advances the field of costume and dress studies. I am grateful to our committee members whose thoughtful, dedicated service makes it possible to honor and celebrate our colleagues,” says Colleen Pokorny, CSA Vice President for Awards and Honors. Nora Carleson, Vice President for Grants and Projects, adds: “I heartily thank the dedicated committee members and chairs who have volunteered their time and effort to give the many submissions for our grants and projects the attention they deserve. Likewise, thank you to all who applied this year. We know that the application process requires effort, time, and care, and we hope that you all continue to engage with CSA in the future.” All awards, grants, and projects are funded through the generosity of donors to the CSA Endowment . This year, CSA is honored to name Cynthia Cooper as the 2026 Costume Society of America Fellow. Cooper’s decades of leadership in Canadian dress history, her award‑winning exhibitions, and her extensive scholarship have shaped the field in profound ways. As noted in her nomination materials, colleagues praise her “world-class scholarship, and heartfelt dedication to our field and our organization” and her “quiet supportive brilliance which touches all those who are lucky enough to cross her path.” Cooper is also the recipient of the 2026 Millia Davenport Publication Award for Costume Balls: Dressing Up History, 1870–1927 , a richly researched and visually compelling volume accompanying her recent exhibition at the McCord Stewart Museum. CSA also proudly recognizes JLN Costume Mounting LLC, founded by Jennifer Nieling, with this year’s Entrepreneur Recognition Award. Nieling’s work exemplifies the essential role of costume mounting in exhibition practice, providing museums nationwide with specialized expertise that “brings costumes and accessories to life” while prioritizing conservation and interpretive clarity. This year’s awards also highlight CSA’s ongoing commitment to service through the 2026 Angels Project, which will take place on Sunday, May 31, at Historic Rosedale in Charlotte, North Carolina. Built in 1815 and one of the city’s oldest surviving homes, Historic Rosedale preserves the intertwined histories of the families who lived there and the enslaved and free African Americans connected to the site. CSA volunteers will assist with collections care and preservation while learning about the house, its holdings, and its historic grounds. All awardees, honorees, and grant recipients will be recognized on Monday evening, June 1, 2026, during CSA’s 52nd Annual National Meeting and Symposium in Charlotte, North Carolina. Costume Society of America Fellow Honor: Cynthia Cooper, Montreal, Quebec, Canada CSA Creative Work Honor: to be determined CSA Costume Design Award: Lorena Lopez, The Busy Bee’s Great Adventure , Adrienne Arsht Center for the Performing Arts, Miami, Florida CSA Richard Martin Exhibition Award, Large Exhibition: Superfine: Tailoring Black Style , The Metropolitan Museum of Art, Exhibition Team: Monica L. Miller, Andrew Bolton, Amanda Garfinkel, William DeGregorio, and Kai Toussaint Marcel CSA Richard Martin Exhibition Award, Small Exhibition: The Life of Kid’s Clothes , Missouri Historical Society, Exhibition Team: Adam MacPhàrlain, Abigail Sarver-Verhey, and Magdelene Linck CSA Richard Martin Exhibition Award, Student-led Exhibition: The Making of Barkcloth: Place, Gender, and Trans-Local Community , Cornell University, Student Curator: Iris Yiqun Luo, Advisors: Catherine Kueffer Blumenkamp, and Denise Nicole Green Millia Davenport Publication Award: Costume Balls: Dressing Up History, 1870-1927 by Cynthia Cooper (published by the McCord Stewart Museum, Montreal, Quebec, Canada) CSA Entrepreneur Recognition Award: JLN Costume Mounting LLC, Jennifer Nieling CSA Howard Vincent Kurtz Emerging Theatre Artist Award: Isabel Toteda, 12 Angry Jurors , University of California, Irvine Betty Kirke Excellence in Research Award: Anika Kozlowski for Creative Work titled Re-Assembled: The Paper Doll Coat — A Modular No-Sew Coat from Textile Waste Scholars’ Roundtable: Generational Practices: Approaches to Sustainability Across the Dress Discipline ; Jennifer Harmon, University of Wyoming; Sara Idacavage, Southern Methodist University; Katie Baker Jones, West Virginia University; Katrina Orsini, The GW Museum and The Textile Museum CSA Travel Research Grant: Mary Alice Casto, Accessible and Exclusive: The Home Seamstress and Vogue Couturier and Paris Originals Patterns, 1932-1965 , and Daniel James Cole, Dayak by Design: Transformations to Tradition in Western Borneo College and University Collection Care Grant: Johnson County Community College, Overland Park, Kansas CSA Small Museum Collection Care Grant: Park-McCullough House, North Bennington, Vermont CSA Dependent Care Grant: Danielle Hodgins Adele Filene Student Presenter Grants: Olivia Nash, University of Alberta, and Mansoureh (Sophie) Nikookar, University of Minnesota CSA Angels Project: Historic Rosedale, Charlotte, North Carolina Presidential Award Winner(s): announcement forthcoming Pictured above from left to right: Interior pages from the Millia Davenport Publication Award Winner Costume Balls: Dressing Up History, 1870-1927 by newly honored Fellow Cynthia Cooper (Laura Dumitriu © Musée McCord Stewart Museum); Custom mounts by JLN Costume Mounting LLC for Forces for Change: Mary McLeod Bethune and Black Women’s Activism at the National Museum of African American History and Culture; objects at Angels Project site Historic Rosedale in Charlotte, North Carolina
March 29, 2026
This month we spoke with Marie-Claire Bozant, photographer and fashion collector. The history of dress and the future of fashion act in dialogue, always interfacing to inform our present moment. The Costume Society of America’s diverse members exemplify this reality like no other; through the constant connections across time and disciplines they draw, our membership of costume curators, designers, artists, and so much more embody fashion’s ubiquitous presence—and dress’s daily power to teach us all something new. We hope you will join us for CSA’s new Dialogues on Dress series, interviews now available monthly in our e-News and here on our website. Interested in getting in touch? Email enews@costumesocietyamerica.com
February 27, 2026
This month we spoke with Lillia Whittington, a maker, researcher, and educator whose sewing-centered practice explores creativity, connection, and the joyful, human energy of the clothes we wear. The history of dress and the future of fashion act in dialogue, always interfacing to inform our present moment. The Costume Society of America’s diverse members exemplify this reality like no other; through the constant connections across time and disciplines they draw, our membership of costume curators, designers, artists, and so much more embody fashion’s ubiquitous presence - and dress’s daily power to teach us all something new. We hope you will join us for CSA’s new Dialogues on Dress series, interviews now available monthly in our e-News and here on our website. Interested in getting in touch? Email enews@costumesocietyamerica.com
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